Showing posts with label Lupe Fiasco. Show all posts
Showing posts with label Lupe Fiasco. Show all posts

Monday, November 10, 2008

Lupe Fiasco Announces Three-Disc "Final" Album

(swiped from Pitchfork Media)
Photo by Natalie Kardos

Lupe Fiasco has announced his third album, and true to form for the MC, the whole thing sounds unnecessarily complicated. [Via the LupE.N.D. Blog]

Here's how it breaks down. As Lupe told us in an interview interview last year, the follow-up to The Cool will be titled LupE.N.D., and it will be his last album. But at a show at Chicago's Congress Theatre on Halloween, Lupe offered some more information: The last three letters of the title stand for Everywhere, Nowhere, and Down Here, which are the individual names given to the three discs of LupE.N.D. That's right, Lupe is planning to "retire" (seeing is believing-- or rather, in this case, never seeing again is believing) with a triple-CD release.

As a point of reference, Wikipedia claims MF Grimm's 2006 record American Hunger was "the first three-disc album in hip-hop history." If you're asking yourself, "MF Who?," or "American What?" right now: Exactly.

Call me skeptical, but retiring after you release one decent-ish album, one incredibly abstract and convoluted concept album [Hey! I think both of those albums are pretty great!-- Ed.], and a sure-to-be-bloated triple-disc monstrosity is not the way to cement your place in rap history.

In addition to all this, the LupE.N.D. Blog also reports that Lupe recorded a live CD/DVD at that Halloween show. It doesn't seem to be attached to LupE.N.D., which means it had better come out before that, so as not to disturb the integrity of the MC's retirement.

Attempts to ask Lupe, "Why? Just...why?" in person can be made at any of his remaining tour dates.

Lupe Fiasco:

11-10 Santa Barbara, CA - University of California, Santa Barbara
11-12 Los Angeles, CA - Club Nokia
11-15 Storrs, CT - Jorgenson Theatre
11-17 Elmira, NY - Emerson Hall
11-22 Geneseo, NY - SUNY Geneseo Kuhl Gym
12-05 College Park, MD - University of Maryland Ritchie Coliseum
01-16 Auckland, New Zealand - Mt. Smart Stadium (Big Day Out)
01-18 Gold Coast, Australia - Parklands (Big Day Out)
01-23 Sydney, Australia - Showgrounds (Big Day Out)
01-26 Melbourne, Australia - Flemington Racecourse (Big Day Out)
01-30 Adelaide, Australia - Showgrounds (Big Day Out)
02-01 Perth, Australia - Claremont Showground (Big Day Out)

Thursday, August 14, 2008

Rage Against The Machine To Play Protest Gig During Democratic National Convention

(swiped from MTVNews)

Agit-rockers already announced Minneapolis show during the Republican gathering.

This year at least, Rage Against the Machine are bipartisan bomb-throwers. The agit-rockers, who are already playing a show in Minneapolis during the Republican National Convention in September, have just announced another gig during the Democratic National Convention in Denver at the end of this month.

The "Tent State Music Festival to End the War" will take place August 27 at the Denver Coliseum and feature sets by Rage, the Flobots, the Coup, State Radio and former MC5 guitarist Wayne Kramer, whose proto-punk band famously performed against the wishes of Chicago Mayor Richard Daley during the violent protests outside the 1968 DNC gathering. The band went home without their instruments, but they did have bloody battle scars from brawls with police.

Rage also know a thing or two about getting shut down at the DNC, as their 2000 set during the party's gathering in Los Angeles erupted in chaos when police rushed in and used tear gas to disperse the crowd. This year's all-ages show will begin at 11 a.m., and tickets are free to those who sign up for the lottery by presenting a valid ID at the Tent State University location in Denver between August 24 and August 26. Winners will be notified by e-mail on August 26.

The Denver protest event is being put on in conjunction with the Iraq Veterans Against the War and Tent State University, a group that works to help young people "take back their campuses and their communities." Tent State plans to erect a "sea of tents" in City Park, Denver, during the DNC and create an "alternative university, teaching tactics and strategies necessary to force an end to this war." Among the guests on tap during the protest are third-party presidential candidate Ralph Nader and former Democratic Congresswoman Cynthia McKinney.

During the protest, Tent State will also host a series of other shows as part of the first Tent State Music Festival, featuring sets by longtime social critic and ex-Dead Kennedys singer Jello Biafra, as well as the Coup, Michelle Shocked, Jill Sobule and some "special guests" during an event they are billing as "4 Days of Love & Action."

The logo for the protest, as well as the slogan, are meant to evoke the iconic poster for the legendary 1969 Woodstock Festival, which promised "3 Days of Peace and Music" and featured a white bird sitting on the neck of a guitar. The Tent State festival, in contrast, features an electric guitar being held aloft by a fist.

The organization has several days' worth of creative protests planned, including the Funky Snake Marches that will wind through downtown to protest the war in Iraq, daily morning gatherings that the group says will "turn downtown into one massive reminder to the delegates and the public of what war looks like" and the erection of mock checkpoints around Denver on August 26 to "mimic the experiences we force on people in Iraq, Palestine and on the U.S./Mexico border."

Other acts scheduled to perform during the Tent State festival include: Melissa Ivey, Blue Scholars, Son of Nun, God-des and She, 8" Betsy, David Rovics, Rachel Bagby, Common Market, Apex Vibe, P Nuckle, Fulcrum, Kombat, DJ Russh and the Flash Mob.
The latest Rage show is part of a growing musical roster for both conventions, which also includes a just-announced Grammy Foundation-sponsored gig featuring Daughtry, Everclear and the Flobots during the DNC; a Service Employees International Union-sponsored show by Rage guitarist Tom Morello, Mos Def, Lupe Fiasco and Steve Earle during the Republican Convention; and various other local concerts in the Minneapolis/ St. Paul area during the gathering.
MTV News and the Street Team '08 citizen journalists will be on the ground at both conventions, sorting through speeches, streamers and ceremony to find the information you need to choose the next president.

Friday, August 08, 2008

Video: N.E.R.D. "Everyone Nose (Remix)" (featuring Kanye West, Lupe Fiasco, and Pusha T)

The much talked about video to the much talked about remix is here. N.E.R.D. featuring Kanye, Lupe, and Pusha T on the "Everyone Nose" remix. The video looks like a visit to an 80's arcade while on acid, but is dope nonetheless. I'm sure by the time I step out of this office everyone's gonna be rockin those Star Trek lookin shades Pharrell has on. (via Okayplayer)

Thursday, January 31, 2008

Monday, December 03, 2007

Lupe Fiasco Talks The Cool, Cheeseburgers, Retirement

(Swiped from Pitchfork Media)

Lupe Fiasco's got a mind that runs a mile a minute, and a mouth that can keep up with it. The sharp-tongued Chicago MC will follow-up last year's well-received Lupe Fiasco's Food & Liquor with Lupe Fiasco's The Cool, due December 18 from 1st & 15th/Atlantic. We phoned Lupe and did our best to keep up as he talked about the character-based concept behind The Cool, the album's darker hues, the infamous cheeseburger track, radio and comic book spin-offs, Child Rebel Soldiers, Cornel West, and his plans to "retire" after his third album.


There's a lot going on on The Cool, but the basic idea revolves around three previously mentioned characters-- what Lupe calls his "three evil angels"-- depicted in symbol form on the record's cryptogram cover. The first character, the Cool, is a zombie hustler of sorts based on the Food & Liquor song of the same name.

"I expand on the story," Lupe explained. "I introduce two other characters, the Game and the Streets. The Streets is a female. She's like the action personification of the streets, the street life, the call of the streets. The Game is the same way. The Game is the personification of the game. The pimp's game, the hustler's game, the con man's game, whatever."

He continued: "Then they've got supernatural characteristics. Like the Cool, his right hand is rotted away. The only thing that rotted away was his right hand. It represents the rotting away of his righteousness, of his good. And the Streets and the Cool kind of have a love affair going on. So she's represented by this locket. And the locket has a key and it's on fire. And as a gift to the Cool on his rise to fame, she gave him the key. And the key represents the key to the Streets. So she wears a locket around her neck at all times.

"And the way the story goes, she has given that key to tons of people throughout time. Al Capone, Alexander the Great, whatever. She's giving them the key to the Streets. Fame and fortune-- but also the prices.

"The Game, he's represented by a stripped-down skull, a skull with dice in his eyes and smoke coming out of his mouth. The billowing smoke is actually crack smoke."

"It's not a full concept album; it's more spread over like five [tracks], really abstractly."

It's also apparently going to spawn a franchise. According to Fiasco, there are plans afoot to spin The Cool into a horror-themed radio program, complete with Vincent Price-inspired voice-overs. "To really tell it," says Lupe. "Because I think it would be corny to try to be spooky on a hip-hop record. We're actually going to tell it as it is, like a horror psycho-thriller kind of situation."

Indeed, folks will notice a less-than-sunny vibe to the new disc on the whole. "This album was influenced more from the dark side. It's more because of the loss I experienced at the beginning of the year," Lupe explains, referring to the deaths of several loved ones. "I'm in a dark, melancholy mood. I'm not a happy camper right now."

After the radio show, according to Lupe, "we're going to do a comic book."

To bring his characters to life, Lupe linked up with California-based artist Nathan Cabrera. "He did the album cover, and when you actually see these characters, you're going to flip. Like the Streets has dollar signs in the eyes; they glow when she gets angry. [And the Game is] so vivid and so fucking terrifying, yo. It's crazy."

Then there's the track "Gotta Eat", on which Lupe, yes, personifies a cheeseburger. Turns out the man is not kidding.

"On this album, I wanted to talk about five or six things directly," Lupe explained. "I wanted to talk about the environment-- which I didn't really get a chance to do-- immigration, rape, drug abuse, and health. And it's like, damn, how do you talk about health dope, though? How do you make it cool?"

"[Part of] the inspiration for The Cool actually was Cornel West. The guy was like, 'If you really want to effect social change in the world, you have to make those things which are uncool, cool. You have to, in essence, make it hip to be square.' And it's more about how you deliver those things, how you package those things for people to digest them.

"Dead Prez did it on one of their albums, but they did it directly. It was like 'Yo, you should eat tofu.' It was dope! But it was like, 'Damn, niggas aren't gonna listen to that.'"

So Lupe had a revelation: "I'm gonna make this cheeseburger a fuckin' Tony Soprano mafia boss. His whole goal is to kill the entire world. He's fast food, trying to kill the entire world. It's really Tony Soprano shit.

"But it's basically about how you gotta watch what you eat 'cause this shit will kill you. If you go through the hood, drug abuse is one thing, fathers not being there is another thing, but then there's also the situation about health. We eat a lot of bullshit. There's no Whole Foods, none of this, none of that. There's like fuckin' hot dog stands and Italian beef places and cheeseburgers and pizza puffs and fried food and shit like that. We're destroying it on all angles."

Fiasco doesn't just talk health, however, he lives it. Articles on the MC often note his refusal to drink or smoke, and that stance still holds true for Lupe. "I don't have a genuine interest in it," he explained. "I don't have a genuine curiosity for it. I don't want it."

You'd think a guy would take a lot of flak for sticking to principles like that, but Fiasco's associates have come to respect his views. "They actually look at it like, 'Damn, I wish I could do that.'"

Yet the music profession has weighed on Lupe, and his plan at the moment is to throw in the towel very soon, at least in part. "Retirement", of course, is a word too often bandied about among rappers, but Fiasco seems to have thought his through. On The Cool he alludes to his next and final album, titled L.U.P.End-- derived from the initials Fiasco would habitually enter into arcade game high score lists.

"I'm at a creative end," he explained. "I really don't think I have that much to say. And I don't want to get to the point where I'm putting out music just to put out music. Especially recording music. I'll still perform as long as a venue will have me and a promoter will have me. Always. Until I'm 100 years old. "But actual recorded music is another thing in itself. The interview process, the radio process, the video process, the budget process-- that shit wears at you, tears at you. And I've been doing the music business for like eight years. And prior to that, on the underground level trying to get to a professional level, about 10-15 years. It's a heavy process and you just get to the point where you're just like, 'I don't know.' It's just like three is enough."

So where will Lupe turn his efforts once he's sworn off recorded music? "I'm going to step back and run my label [1st & 15th]. I've got Matthew Santos, who's my artist. Gemini, Sarah Green, Soundtrakk, just on a more production side. So I've got a full-fledged credible label with credible musicians on it. So I'll sit back and do that. And then I'll talk to different people and get inspired."

And like most hip-hop "retirements," this one seems provisional. According to Lupe, we can still look forward to "a couple concept records" and, "god-willing," an album from the previously mentioned hip-hop supergroup Child Rebel Soldiers, which brings Fiasco together with Kanye West and Pharrell Williams.

What's the word on CRS? "Waiting. Everyone's focused on something else at the moment. [We're trying to find] two or three weeks to sit down and hammer it out. We're all kindred spirits; let's get together and unify that and see what happens."

Lupe's got a few shows lined up to close out the year, including a December 18 album release bonanza at New York City's Irving Plaza with a full live band. A House of Blues-sponsored tour is in the works for January. Finally, The Cool's tracklist has undergone a few revisions since our last report; check that just below.

Lupe Fiasco's The Cool:
01 Baba Says Cool for Thought
02 Free Chilly [ft. Sarah Green and Gemstones]
03 Go Go Gadget Flow
04 The Coolest
05 Superstar [ft. Matthew Santos]
06 Paris, Tokyo
07 Hi-Definition [ft. Snoop Dogg and Pooh Bear]
08 Gold Watch
09 Hip-Hop Saved My Life [ft. Nikki Jean]
10 Intruder Alert [ft. Sarah Green]
11 Streets on Fire
12 Little Weapon [ft. Bishop G and Nikki Jean]
13 Gotta Eat
14 Dumb It Down [ft. Gemstones and Graham Burris]
15 Hello/Goodbye (Uncool) [ft. UNKLE]
16 The Die [ft. Gemstones]
17 Put You on Game
18 Fighters [ft. Matthew Santos]
19 Go Baby [ft. Gemstones]

Live Lupe:
11-30 Urbana, IL - University of Illinois
12-02 Champaign, IL - University of Illinois
12-06 Los Angeles, CA - TBA
12-07 Los Angeles, CA - TBA
12-18 New York, NY - The Fillmore at Irving Plaza
12-27 Honolulu, HI - Pipeline Cafe

Monday, November 19, 2007

Lupe Fiasco Reveals The Cool Tracklist

(Swiped from Pitchfork Media)

Lupe Fiasco has descended from the parapets of his mind and found his way out of the maze of all those tongue-twisting extended metaphors to deliver actual concrete info about his sophomore album, The Cool. Thanks to a report from Billboard.com that was confirmed by his publicist, we now know the Food & Liquor follow-up's tracklist.

Due December 18 via 1st & 15th/Atlantic, The Cool features production from Fall Out Boy singer Patrick Stump, UNKLE, Chris & Drop, and Soundtrakk, according to Billboard.

True to form, the report says Lupe has fashioned The Cool as a concept album of sorts, featuring recurring characters such as Michael Young History, the Game ("a male personification of a hustler's damaging influences," not the Compton rapper), and the Streets ("a female embodiment of an urban area's corrupt allure," not Mike Skinner). Billboard also says The Cool features two mentions from Lupe of his plan to quit music after releasing the album's follow-up, titled L.U.P.N.

And yet, out-wtf-ing every other detail related to The Cool in the article is this morsel: "Perhaps the oddest song is 'Gotta Eat', which is apparently written from the perspective of a cheeseburger and is rife with food/life metaphors."

The Cool:

01 Iesha Poem
02 Free Chilly
03 Go Go Gadget Flow
04 The Coolest
05 Superstar [ft. Mathew Santos]
06 Paris Tokyo
07 High Definition [ft. Snoop Dogg and Pooh Bear]
08 Little Weapons
09 Hip-Hop Saved My Life [ft. Nikki Jean]
10 Gold Watch
11 Street on Fire [ft. Matthew Santos]
12 Hello Goodbye
13 Gotta Eat
14 Dumb It Down [ft. Gemini and Graham Burris]
15 The Die [ft. Gemini]
16 Put You on Game
17 Fighters [ft. Matthew Santos]
18 Go Baby Go

Video: Lupe Fiasco [ft. Matthew Santos]: Superstar [from the forthcoming The Cool LP]